Comparable to the finest of designs and workmanship by Louis Comfort Tiffany's of Tiffany Studios, this is a art glass shade by Quezal. The design is multi-colored green Damascene, with touches of yellow. The shade is is 3.25" high and 5" across the base. The inside is a lovely iridescent gold. Note the variation in the yellow and green pattern at the base of the shade. In addition, the shade has subtle magenta highlights. The shade is in excellent condition with no chips, scrat ...click for details
For the Collector, this is a L.C.Tiffany Studios Favrile white calcite shade with an unusually broad King Tut Golden Swirl design. The gold swirl on this bell shaped shade has heavy magenta highlights. The shade is 5.25" high with a 2.25" opening for the fitter. It is properly signed on the rim for the fitter "L.C.T.". Please note there are two surface scratches which may be buffed for removal. For accuracy, an enhanced photograph of the scratches is included. Other than that ...click for details
Frederick Carder of Steuben was the first to introduce this particular version of the Tulip shape in Art Glass Shades. This 6" high Tulip shade is gently ribbed and has the unusual goldenrod yellow color, which in bright lights picks up a red gold highlight. The pulled feather is tipped in a bright Spring Green. The decoration is over a pure white calcite. Please note that the green shadow on the white base is due to the decoration from the other side being visible through the fragile, thin ...click for details
This is a tall, graceful gold aurene shade by Frederick Carder for Steuben Glass. It is 5.5" with a 2.25" rim for the fitter. The crisp ribbing of the shade is a lovely foil for the artistic magenta and blue highlights of the glass. Note the Steuben Fleur de Lis logo engraved in silver on the inner lip of the small rim. The condition is excellent with no loss of iridescence, chips or flakes.
A rare and lovely signed Quezal vibrant pulled blue feather, trimmed in gold iridescence, over a white calcite base art glass shade. Please note that we do have a match to this shade. The shade is 5 7/8" tall, is 3" at the "shoulders" and has a gold iridescence interior. The shade's rim will fit a standard 2 1/4" fitter.
Tiffany Studios most likely produced this stunning pink favrile vase in the last decade of the 19th century. The design is free form decoration, with a collar of gold petals with tiny lines; and, a deep pink (over a gold luster), moving to a lighter pink at the base, In the middle of the vase, there is a wavy band which appears to be a "cut back" to a lighter color underneath the dramatic pink.
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An amazing Quezal art glass shade by Quezal in that the iridescent yellow pulled feather has a border of a light aquamarine, which is echoed in the opalescent art glass of the base. The interior of this 5.5" trumpet shaped shade is gold iridescence. It has 18 ribs, which flare out gracefully into the 4" wide slightly rippled opening. The opening for the fitter is 2 1/4". Also unusual is that it is signed "Q", instead of the normal "Quezal". Nevertheless, we un ...click for details
These are gorgeous, mint condition Lustre Art Glass Shades, first produced and identical to the pattern, shape and size introduced earlier by Quezal Glass (Martin Bach. The shades are signed in the silver white "Lustre Art". The size is 5.5" high with the standard 2.25" fitter. Their condition is mint, with no chips, roughness, cracks or repairs. Circa early 1930's.
This is a rare Chimney shaped Quezal art glass shape in a heavy gold leaf and vine pattern. The 5" shade has stunning magenta iridescence. The name "Quezal" is engraved on the fitter rim, which is 2.25". The shade has no cracks, chips or flakes and is in excellent condition.
Although manufactured by Steuben and designed by Frederick Carder during the Art Nouveau period, this white pulled feather over a bronze gold aurene glass shade has a definite Victorian feel to it. 5 1/2" high, with a standard 2 1/4" fitter, the glass when tapped, "chimes" like fine crystal. On the fitter rim, however, there is some roughness and a minor, shallow chip. Both of these issues will be hidden when the shade is placed in a fixture. However, for the sake of accuracy ...click for details
